索多玛120]天：前世与今生

The mov -%ie "120 da=,y s of Sodom" is^ th;;e work of Italian director Pie*=
r Pa + olo Pasoli -%ni shot written n@$% ]o,v) els
 of t\+h=e Marqu is de Sad;/_e "Sodo%$+-m one hundred tw *e(#nty d)ays o^r ind -*ulg@ence s chool," a,dapte_`-@d from the
*\ movies. Pasolini origi)_(nal story the place fro,^`m the 18th-c-entury S(:wi%]ss mo=u*nta_,+ins Castle replac%
?ed by the )2 0)th centu#@%/ry,( th
+e end of World War ;+II in no.#rth]*e!%:rn Italy near c,ollapse -of t
h e Salo R`\epu?%blic. The st]+!ory of modern? power [a:\nd perso$!nal re ?latio$@
n^s ;!/)hip, a metaph^or o]^)%f the*! consumer societ!@:: y$,. -Paragraphs constit-_ute the film borrows Dante's "Divine C^ omedy" is divided i*(nt[ ;o "the g%
ates of-  hell, $`the" meta. ]morph%?[osis hell "" ma]nu;re Hell "an .d" b_l

`ood-$ ^hell chapters
. The film /
$$#is kn*own as the f irst of; the world's to):*p ten !banned *film